Børge Mogensen - Designs for life The story of the man behind the design classics is also a piece of contemporary history about a Denmark in transition - and about quality that lasts. Børge Mogensen's furniture is not just furniture. It is furniture as an artform with refined and timeless details that have provided Mogensen with an international following of dedicated admirers and collectors. The story of the man behind the design classics is the story of both the designer, the craftsman and the private person - and about a country which in the decades following World War II saw an unprecedented economic recovery reflected in its culture and lifestyle. Times change, but Børge Mogensen remains as one of the names that has secured the reputation of Scandinavian aesthetics, and continues to inspire. His life story is told by his son, Thomas Mogensen, who brings us close to the stories that have never been told before, and which add new facets of Børge Mogensen's life through unique access to the entirety of his extensive archive of pictures, drawings and - not least - furniture.

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我一直以为这部戏的某一个编剧在写今夏和陆绎是相当细腻了。许多剧迷关于陆绎何时动情都很有见地。个人认为陆绎是一开始就已经对今夏有印象的，简单说就是命定的情愫早于本人把陆绎推向今夏的身边。而这些细节的表诉，全部是以男女主梦境形式展开。今夏第一次落水，唤醒的梦是她爷爷带她看手铳。这里奠定了今夏对手铳天然的喜爱，还有天赋。所以她会自己设计手铳。也由于手铳，让陆绎留意了今夏。陆绎在拿到手铳后有个很大人的举动，他直接帮今夏修改了手铳。从后面的戏份来看，其实陆绎不是一个无缘无故霸道

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我不知道它属不属于小众作品，只知道第一次看见推文是在毒舌影评公号上，单看文字，我就深受震撼了。?????影评分界线????自始至终，《寒单》贯穿着血肉模糊的痛感。这是导演黄朝亮借这部惨烈的，伤痕累累的电影留给我们最大的善意。以一段传统风俗为切口，《寒单》聚焦于一群人。这群人曾经拼尽全力却无功而返。这群人曾经烂死街头却无人在意。他们在这个滚滚向前的时代，就像扫帚上的灰被无声掸落。

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该剧以樊锦诗的亲身经历为背景，讲述了敦煌研究院几代人在保护、研究、传承莫高窟方面的努力和坚持。影片将人物故事与敦煌文化相结合，呈现了一个真实而感人的历史画卷。

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这部电影给观众呈现了一个充满惊险、刺激和戏剧性的故事，让人欲罢不能。