A young Aboriginal couple bring home their second baby. What should be a joyous time takes a sinister turn as the mother starts seeing a malevolent spirit she is convinced is trying to take her baby.Adapted from his award-winning short and made with the producers of The Babadook and Talk to Me, Jon Bell’s debut feature draws from Indigenous lore for a thematically rich supernatural tale that quickly establishes the lurking menace of a child-stealing spirit. Its simmering suspense empathetically builds around the fragile psychology of a new mother, blurring the lines between exhaustion, paranoia, and postpartum depression. In exacerbating her isolation and hopelessness, Bell shrewdly accentuates traditional tools of oppression to reveal a darker allusion to Australia’s stolen generations — the tens of thousands of First Nations children forcibly removed from their families through the government’s assimilation policies — which the filmmaker calls a “massive wound in the psyche of Australia.” The Moogai bears its terrifying resonance out of sublimated trauma.—JN源自：https:festival.sundance.org/program/film/6569ff27fac9f446d2c03b90

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看片名感觉应该是个大片，阵容也不错的，整体看下来，很多地方演的都不到位，剧情也有些不合理。开头直接进入主题开始打劫了，但是要不是看了最后结尾抓了多个，我还以为这是几个人就给抢了呢，交代的不清楚。张本煜单干的时候也是，就那几个人，能抢了吗？前面算是中规中矩剧情展开，但是很平淡，不知道哪是高潮。越往后面毛病就越多了⬇️文咏珊泼红酒那块，用力很轻，被那么说很生气的话，应该更用力幅度更大点。警察发现微波炉的炸弹，轻描淡写的喊了一声炸弹，马上拉开冰箱门躲到后面，以为

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《坚如磐石》/?年夏天第一次看到《坚如磐石》的预告，彼时看到于和伟+张国立+张艺谋，觉得年国庆要被霸榜了，再在影院能看到已国庆这部电影包含：几乎一半对不上口型的台词、ppt结尾、生命的奇迹死而复生的角色、极其明显的补拍镜头以及张艺谋最后的尊严（台词：“我tm根本就读不懂唇语”）删减之后要保持情节流畅是个很困难的事，曾经多少也经历过，更何况这部还要删故事、改人设、加与原故事无关的剧情和人物。能在年就拍完剪完的电影片尾看到年的法条也是件很神奇的事情，不过

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电影该剧以一种引人入胜的方式，探讨了权力和自由的主题。科里奥兰纳斯·斯诺和露西·格雷·贝尔德的命运交织在一起，他们面对着残酷的游戏规则，同时也挑战着这些规则。

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这部电影讲述了一个关于“寻找”的故事。故事中的馒头是一个男孩，他在年前意外闯入了一艘沉没的戏鼓船上。他发现船上只有亡魂，而这一切都与他有关。