Fabulous dreamlike movie.The drama of in-communicability as never before,and never after.A couple ,Montand and Aimée, feels that their love is becoming a thing of the past.He is a linguistics professor,he reigns over words and culture;she does not understand the language they speak in this part of Belgium. One night,both take a train;suddenly it stops.Anne (Aimée) has disappeared ,and Matthias (Montand) gets out of the train.With two unknown guys,he sees the train silently and slowly moving ,like in a dream.The dream has begun.Matthias and his two mates are left alone in the country.They arrive in a small village where,that crowns it,the university professor cannot understand a single world of the inhabitants' language.A very strange scene shows the three men coming into a tiny movie theater.On the screen,an odd,almost worrying film is projected:a parachutist floating in the air,sometimes shot in close-up,with an almost unbearable soundtrack.The audience seems to live in another world.Not only Matthias does not understand the language,but he does not understand their entertainment either .Then they go to a restaurant ,the staff of which seems to wait for them.Maybe..When he returns to reality,Matthias will find out how selfish he has been with Anne.But it's a movie you can interpret in accordance with your sensitivity.Never a director has gone so far in intertwining dream with reality.The incommunicability of Matthias and the strange people of his dream is a metaphor of that of the two lovers.But ,because of the harrowing conclusion,which leaves the audience totally hopeless,perhaps this dream was an escape,or a way to delay what was ineluctable.André Delvaux gave us the best European movie of 1968.
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纯路人买票看电影打发时间，也未提前做任何功课。两对男女主，一对在相亲，一对模仿夫妻结婚的那对展示了婚姻前后变化磨合相亲的那一对展示了不同人的婚恋观。当然，我自己挺看好那个直接领证的，不墨迹，大家各过各的。另外讽刺了一些婚恋市场的交易行为。两对进行对比，我怀疑编剧从八点档里面进行了取材，特别是结婚那对儿。各种七七八八的婚后生活，开会，争吵，分手，挽回，复合。相亲那对儿，表面上过得很好，一个眼神一个动作双方都知晓。但是，孟在某个前任的提点下，才知道自己把对方带入
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该剧是一部以唐朝初年历史为背景的神秘电视剧，该剧讲述了唐朝贞观之治时期一段充满神秘色彩的故事。其中，一段为缓解旱灾而组织的祈雨祭祀，却被有心之人利用，营造出“千首妖”出没的诡案。聪慧过人的死刑犯独孤也因此被圣上任命调查此案，不料却牵扯出更大的阴谋。这部电视剧将唐朝初年的历史与神秘故事相结合，让观众在欣赏剧情的同时，深入了解唐朝的历史文化。
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首先，故事的野心非常大，拍成十集估计是挺费神的，在我看来想把年代日本社会工业化进程的切面表现好，按大陆逻辑起码也得集打底。配乐里，竟然有好些部分是NHK激流中国纪录片里的开篇曲。 想来制作方是一路人？如果是一路人的话，那么这剧集里表现出的社会经济层面的思考，就丝毫不为怪了。 当然，日剧里典型的眼神杀人夸张神功还是令人遗憾的存在的，但是幸好成分不多，还过得去。堺雅人演的半泽直树，除了偶尔在走路姿势上显露出来一点娘气，基本上还是能突出把握那股子热血气势。有意思的是，年代神户这个外景，设在上海的影视基地，三十年代老南京路。大街上周星星苦练如来神掌的大铁盒子赫然在目。
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刚从电影院里的黑暗出来，见到现实世界的光亮，就像是真人从塔里出来一样，就算走在路上脑海里也是之前影片的回忆。在IG上看到剧照被种草好长时间，好不容易来趟香港，就找机会看了。我还挺喜欢这种幻想现实结合，有点意识流有点癫的作品。看到之前有人评像是今敏和宫崎骏的嫁接，还蛮形象的，但是宫崎骏还是宫崎骏，底色还是温暖的，如果是今敏，大概真人就不出来了。我不想用太多政治角度去分析整部电影，直观感受就是这是宫崎峻活了八十多他对于人生终级问题，也就是生与死的思考。我能明显感受到电影中
