To see El Sur is like slipping as a guest into one of Jorge Luis Borges' tales. If you like this argentinian writer you'll like this movie, because El Sur is Borges quoting Borges, his melancolic solitude, his metaphysics dressed as poetry and, most of all, his eternal questions about reality and illusion. What is the result? an instant out of life which dilutes into dreamdom, whilst present mixes itself up with past. The lead character here is Juan Dahlmann, an obscure argentinian librarian from european heritage -much like the same writer in the 40's- who has consecrated to keep, in spite of economic difficulties, an old property at the south of Buenos Aires province. His life passes by way of his work and his reading, he recites from memory `Martín Fierro' (the most famous work of the writer -also argentinian- José Hernández) and is dazzled by a rare edition of the Arabian Nights, both books did fascinate Borges, both books about voyages.And so Dahlmann travels, after an accident, to the `estancia' of his elders, in an initiatic tour which will bring him to face his identity and face the Pampa, where his past and his fate awaits him, to face Buenos Aires suburbs, a South that is filled with barbaric, fearsome and rough knifes who duel the cultish highbrowish North of the erudits, the capital of libraries and china cups. ¿Why else did I liked this movie? Because is true art house cinema, the speed of the narrative is at the same time slow and undefatigable as life itself, following strange turns instead of a straight line.Finally, I do have a very personal reason to my enjoyment during the 60 minutes I spent in front of the TV. It really got me, from the very beginning, the voice over with his cadentious and raw spanish with argentinian accent, loaded with melancoly, seamlessly caressing every word, embracing its millions of meanings, until you feel like, for an instant, everything makes perfect sense.

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从知道剧情设定开始就一直对这部剧抱有期待，只是因为太长迟迟没有打开。机缘巧合开始考古后确实有一些惊喜，但越看越觉得一个这么好的创意被生生浪费了，太可惜。本来想写个短评就算了，实在是心里有些憋闷，干脆开个吐槽贴，说说陈精这个拧巴的人物，欢迎理性回怼，ETC勿扰。陈精从诞生之初就是集人性之恶于一身，没有好的教养，是非不分，有奶便是娘，所以才能被黑影看中。到这里其实逻辑是通的，作为观众我可以接受，当铺的伙计是白莲花反而奇怪。拧巴的地方在于编剧矛盾的心理，既要保留陈精的恶又想给

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另一方面，以江文峰（钟汉良饰）为代表的警方，也在不断地追踪、调查，试图揭露这个城市的黑暗面。

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画面还行，陈晓造型和演的都不错，女主造型真的一眼难尽， 女侠只能是简单的高马尾吗？ 剧情不咋的， 掷骰子的剧情太老套还故作高深。 还有女主的义父死了 女主那表情好像只是看到一个路人 是对自己有养育之恩的义父啊 感觉很快就过去了 然后就穿了一身红衣出场。 导演这样的叙事方式有问题。 前两集感觉乱七八遭一下子交代了很多 包括男女主的身世背景， 但没有重点。很多镜头语言是为了展示镜头而设置 没有为剧情服务剧情上也有bug 云襄毒晕看门人偷账本 f反派回来敲了半天门 谁给他开的门呢？ 看门

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这部影片以水上飞机时代的地中海为舞台，描写了一只红猪为了荣耀、女友、奖赏，与“空中强盗”搏斗的故事。波鲁克・罗梭在一战中战友全部战死而自己独活下来，或许因为心中的愧疚和自责让他变成了一头猪，他退出意大利空军成为一名自由自在的赏金猎人。只有当他有了想要守护的理由和感受到爱的时候，才会暂时变成人类。剧中两次变成人类：第一次是擦拭第二天和卡地士决斗要用的子弹（为了菲奥一生的幸福啊），第二次则是被菲奥亲吻之后。总的来说，还是做猪比较快乐。《红猪》经典台词和截图：啊，靠发