Vladimir Nabokov’s Lolita is a suggestive young girl who sends the protagonist into despair, or so it was told... But, if Lolita narrated her memoir, what would she say? This is precisely what Vanessa Filho surprises us with, in her most awaited feature “Consent”, an adaptation of Vanessa Springora’s autobiographical novel.Paris, 1985. Vanessa is thirteen years old when she meets Gabriel Matzneff, a renowned fifty-year-old writer. The teenager becomes the lover and muse of this man, who is celebrated by the cultural and political world. Losing herself in the relationship, she suffers more and more violently from the destructive influence this predator exercises over her. Her suffering intensifies as Gabriel publishes the intimate details of their relationship to the world, humiliating and subjecting her to public condemnation. Battered and victimized, Vanessa finally musters herself to let the wicked fall into their own nets.“Consent” is the second collaboration of Filho (“Angel Face”, 2018) and cinematographer Guillaume Schiffman (“The Artist”, 2012). It is provocative and cerebral, an intriguing narrative elevated by exquisite visual language. It is a rare jewel for all cinephiles craving a sincere cinematic experience.Milani Perera源自：https:poff.ee/en/film/consent/

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最近十几年都没有服化道这么像样，剧情这么紧凑，演员这么古典美的古装剧了，个人估计以后也不会有了，基本全是资本洗钱的产物 。还记得前几年的国产电视剧，尤其古装剧，感觉女的都长一个样，现在随便找一部打开。。。好家伙，连男的都没什么辨识度了。流量至上，娱乐至死的年代，是影视行业真正的悲哀，以前一部电视剧动辄一拍就是一年或几年，现在基本上一两个月搭个棚子就是一部所谓的作品，质量可想而知。现在的古装剧再也找不出古代的影子了，感觉上就是一帮人在影楼随便找了几套衣裳，拍了个几十集的大型真

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张兆辉和吴镇宇的出色表演为这部电影增色不少，他们的演技让人叹为观止。

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在《前任》宣传片的结尾，屏幕中亮起一行字：你会和前任好好说再见吗？电影中在孟云和林佳云淡风轻的告别背后，其实是用尽全力的忘记与释然，轰轰烈烈的相恋最终变成了只能埋藏在心底的旧爱。“你和任何人都可以创造属于你们的故事”“有单身信念的人，更容易找到灵魂伴侣”感觉剧情不太连贯，冲着演员看完的！

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该剧是一部关于“寻找”的故事，影片讲述了男孩馒头意外闯入沉没年的戏鼓船，却发现船上只有亡魂的故事。大雨之后，所有人都会找到答案。