影片分三章代表三次战争：WWI、WWII和虚构的WWIII：THE DESERTER (segment I) - A film against violence. A young soldier escapes from the horror of battlefield towards his country village, only to find violence there too, symbolised by the bloody killing of a pig.SUNDAY (segment II) - Czechoslovakia during World War II. A farm is occupied by Russian partisans trying to sabotage Nazi troops in the neighbourhood. An itinerant egg seller is shot by the Russians as a spy. News arrive that the war is over. A German patrol enters the village and engages the Russians in a bloody battle. The film episode ends with a sequence showing the return of Soviet tanks to Czechoslovakia.THE NOMADS (segment III) - Nuclear war is apparently raging on the earth. A handful of people including a young girl, all in rags or completely naked are in a fall-out shelter. The "White Hussar" (from segment 1) is there too and says he is Death. The girl wants to protect him from the others who want to get rid of him, and in exchange he leads her to the surface of the Earth which is denuded of any trace of life. The girl dies in a deserted windmill. The old man continues his search for people but soon he, too, dies.

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自从青山刚昌已经不具备可以写出推理情节的能力，黑暗组织这个ip变成唯一吊得起胃口的故事线，柯南变成日本超英就是迟早的事。推理跟前面的冷笑话猜谜一样就只是粉丝彩蛋而已，ppt翻页的节奏、柯学的打戏和日版复仇者联盟一个接一个出来打招呼才是卖点。把和灰原哀这个更复杂的女性角色的感情搬上台面，而不是死守一个上个世纪就已经过时的物化女性角色显然是合情合理也是终于跟得上时代的。在此之前柯南的角色塑造永远是完美的、按部就班的、肤浅幼稚的、令人作呕的，这次终于能够像正常人类一样拥有一点鸡毛了。

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