The first real film from a director who went on to do a lot of interesting work in the 1970's and 80's before his tragic death by drowning in 1986.An avowed homage to Eyes Without a Face, the film unquestionably creates its own atmosphere and goes in a very different direction from its more famous model. Mulot's film has great cinematography, an interesting script construction and a very melancholic mood that marks it out from most low budget shockers of the period. Although not a costume piece as such, it is probably closer to the classic Mill of the Stone Women than to Franju's film.The acting and direction are of a uniformly high standard. Anny Duperey and Philip Lemaire impart real depth to their characterizations and it's great to see Euro legend Howard Vernon once again. The film was sold as a mixture of sex and horror and the sex is provided by a bevy of stunning Euro babes including Valerie Boisgel and Michele Perello who went on to feature in Morgane et ses Nymphes before disappearing into the hinterlands of porn.Well worth more than a passing look for any fan of classy Euro horror, this one has probably improved with age and repays repeated viewings.Was the above comment useful to you?

血玫瑰电影百度云

影片中的战争场面紧张刺激，让人屏息凝神，为故事的发展紧张担忧。

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电影该剧以一起真实的恶性案件为背景，讲述了刑侦大队队长程兵带领三大队办理此案的经过。在追捕嫌犯的过程中，程兵因为意外事件而被判入狱，但他并没有放弃寻找真相。出狱后，他依然坚持以普通人身份追踪在逃嫌犯，展现出他的坚定和执着。这部电影通过讲述一个普通人的故事，向观众展示了人性的复杂和多变。同时，电影对刑警队伍的严谨治队和无畏精神也进行了呈现。

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独自开车单程小时km，一早点档的mmIMAX厅，三小时mm胶片带来的沉浸式体验和感动，看完后还一直被后劲震撼着，压抑，伤心，不得出路。上一次有类似的钝感好像还是很久之前看完《辛德勒的名单》后。太喜欢诺导对节奏的把握，三小时一点都不觉得长，连呼吸的节奏仿若都被他牢牢掌控。反而在后半段听证会那里有短兵相接之感，在黑白胶片里揭开Strauss内心黑暗的真相，容不得思考的惊讶。蘑菇云被拍的很美，静默，唯有呼吸。庆祝会上跺脚声，奥本海默脑海里的幻想，那些似笑若哭的脸。演员的每个细微表情